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Sometime in April 2009, one of the Converse representatives from Shanghai got in touch and lots of emails and a couple of phone calls later, we were on board for their Fall ‘09 Music + Lyrics campaign that centers around indie music and its community around the Asia-Pacific region.

Converse has been part of the whole rock ‘n’ roll heritage for a long time. We’re definitely most honored that the Shanghai folks believe in the band enough to choose us as the only band from Singapore for the campaign. You also would have never guessed that Shirley originally wrote the song about Lennat’s obsession with paintball. (Keynote: Lennat has since quit the sport.)

Other than the song and lyrics, we also contributed a series of local stories for their Dispatches column. We had a lot of fun in the sun chasing stories as a band, interviewing our peers, talking to them about their hopes and dreams, sharing the very same hopes and dreams - we learned a lot more about that “renegade indie spirit” that we were told to capture. In a way, Singapore definitely lacks the derelict urban decay of China, Korea and Thailand but we are all still here chasing teenage kicks, aren’t we?

You can download the lyrics from “Kill Pill” as your wallpaper here.


We have a long list of favorite bands. When this interview with inSing.com was done, our flavor of the day was The Ting Tings. A couple of months down the road, we caught the band live and weren’t that blown away. We attributed the lack of “fist punches” to the heat and probably the bad sound engineering that day.

We have a long list of favorite bands. When this interview with inSing.com was done, our flavor of the day was The Ting Tings. A couple of months down the road, we caught the band live and weren’t that blown away. We attributed the lack of “fist punches” to the heat and probably the bad sound engineering that day.


Don’t we all look young and dandy? Photo was taken by one of our good friends, Aloysius Lim, when we were fresh off the Baybeats audition.
This jovial snap was later used in an interview with Junk magazine. An funny except:
How did you guys get your band name?Eve: Well it was either this or Sh*t Said Shirley (SSS for short), which was a lot harder to say, plus some of our friends thought we were ripping off Right Said Fred.
Read the full article here.

Don’t we all look young and dandy? Photo was taken by one of our good friends, Aloysius Lim, when we were fresh off the Baybeats audition.

This jovial snap was later used in an interview with Junk magazine. An funny except:

How did you guys get your band name?
Eve: Well it was either this or Sh*t Said Shirley (SSS for short), which was a lot harder to say, plus some of our friends thought we were ripping off Right Said Fred.

Read the full article here.


Baybeats Band Interviews - Midnight Marvel - SMU Campus Radio
[Flash 9 is required to listen to audio.]

Baybeats Band Interviews - Midnight Marvel

SMU Campus Radio

PODCAST INTERVIEW - SMU CAMPUS RADIO, 2008
[DOWNLOAD: MEDIAFIRE]

During the lead up to Baybeats 2008, the publicity team of Esplanade did a really good job of hooking up the various bands with the press. Here’s a rare audio interview of us (minus Shirley who was away in Hong Kong for vacation) with the SMU campus radio folks. You also get to hear one of those rare moments where our ex-members Eve and Alf did an awesome acoustic rendition of “Straight Doll.”

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Spit It Out! (Demo) - Midnight Marvel
[Flash 9 is required to listen to audio.]

Spit It Out! (Demo)

Midnight Marvel

“SPIT IT OUT!” - STUDIO DEMO
[DOWNLOAD: MEDIAFIRE]

We recorded our first demo in December 2007 at TNT Studios over a two-hour session. We had decided to submit an entry for Baybeats 2008 at the very last minute and the both of us - Shirley and Lennat - were also leaving for Perth to catch Tegan and Sara during their tour for The Con around the submission closing date, so time was of the essence.

The song eventually landed us a Saturday opening slot at Baybeats and is also named as one of the 44 songs that define Singapore by Today’s Christopher Toh, who calls the song “pseudo-punk, sure, but it still grooves in all the right places.”

We suppose the three-chord spontaneity and the mistakes in the song made us quite “punk” indeed.

  • 40 plays